La Donna Forsgren, an associate professor in the Department of Film, Television, and Theatre, has won the American Society for Theatre Research's Oscar G. Brockett Essay Prize. The award, given annually to the best essay of theatre research in a scholarly English-language publication, honored Forsgren’s “The Wiz Redux; or Why Queer Black Feminist Spectatorship and Politically Engaged Popular Entertainment Continue to Matter,” which appeared in Theatre Survey. She was also appointed this month as associate editor of Theatre Survey, which will lead to her becoming editor of the journal in two years.
“[T]he University seeks to cultivate in its students not only an appreciation for the great achievements of human beings, but also a disciplined sensibility to the poverty, injustice, and oppression that burden the lives of so many. The aim is to create a sense of human solidarity and concern for the common good that will bear fruit as learning becomes service to justice.”…
La Donna Forsgren writes because she has something to say — and because the people she writes about had something to say, too. An assistant professor in the Department of Film, Television, and Theatre, Forsgren’s research shines a light on the essential role African American women have played in theatre history. She has written two books on female dramatists in the Black Arts Movement and is now working on a third focusing on women in contemporary black musical theatre.
Pamela Wojcik, a professor in the Department of Film, Television, and Theatre, has been awarded a 2020 fellowship from the John Simon Guggenheim Memorial Foundation in support of her book project, Unhomed: Mobility and Placelessness in American Cinema. Wojcik is among 175 scholars, artists, and scientists to be awarded fellowships this year from a pool of nearly 3,000 applicants. Faculty in Notre Dame’s College of Arts and Letters have won 18 Guggenheim fellowships in the last 20 years.
By the time Conor Hanney ’14 sat down to start his senior thesis for his film, television, and theatre major, he knew exactly what he wanted to do for a living — write for live-action TV targeting the kids and family demographic. And within 16 months of graduation, that’s exactly what he started doing. Hanney, a writer, lyricist, and composer for Netflix, works on various family programming, including the live-action comedy series The Expanding Universe of Ashley Garcia, The Healing Powers of Dude, and Prince of Peoria. He is currently working on the upcoming Kenny Ortega musical series Julie and The Phantoms.
From philosophy to musical theatre to economics, Arts and Letters faculty are using technological innovations — as well as creativity, patience, and empathy — to continue the educational experience for their students as the University shifts to online classes in the wake of the coronavirus pandemic. The sudden shift has prompted adaptation in the face of adversity — from defending a dissertation via Zoom meeting to posting and analyzing behind-the-scenes clips of rehearsal for a musical that won't be performed — but it has also already helped faculty and students forge new bonds with each other.
Brennan O’Malley, an economics and film, television, and theatre major, interned at AMC Networks in New York City during the summer of 2019. She worked in the scheduling department, doing competitive research and helping the team develop each day’s programming schedule for the company’s networks, such as AMC, BBC America, and IFC. A grant from the Arts and Letters Summer Internship Program (ALSIP), administered by the Meruelo Family Center for Career Development, made it possible for O’Malley to cover living expenses and other costs during her internship.
The University of Notre Dame’s Department of Film, Television, and Theatre (FTT) announces ND Theatre NOW, featuring Coats by Henry Stone and The Tea on ND by Samuel Jackson II, in the Philbin Studio Theatre at the DeBartolo Performing Arts Center, February 20 – March 1.
The University of Notre Dame’s Department of Film, Television, and Theatre (FTT) announces the 31st Annual Notre Dame Student Film Festival, in the Browning Cinema at the DeBartolo Performing Arts Center, January 24 through 26.
An annual launching pad for student filmmakers as they begin their careers in the film, television, and entertainment industries, the Notre Dame Student Film Festival screens films that were made by undergraduate students during the past year as class projects in the Department of Film, Television, and Theatre. As…
Notre Dame’s Department of Film, Television, and Theatre (FTT) announces Anne García-Romero’s Staging the Daffy Dame in the Patricia George Decio Theatre at the DeBartolo Performing Arts Center, November 20-24.
In Staging the Daffy Dame, a Latina theatre professor employs non-traditional casting while staging a Spanish Golden Age comedy – Lope de Vega’s La Dama Boba…
Notre Dame’s Department of Film, Television, and Theatre (FTT) announces The Fornés Festival, a series of staged play readings and academic engagement events celebrating the legacy of the prolific Cuban American playwright María Irene Fornés (1930-2018), in the Philbin Studio Theatre at the DeBartolo Performing Arts Center, October 2 through October 13.…
Notre Dame’s Department of Film, Television, and Theatre (FTT) announces four productions for its 2019/20 theatre season, including three new plays written by Notre Dame faculty and students, a Tony-nominated rock opera, as well as a festival of staged readings.…
Naj Harrabi describes himself as someone who needs to create — whether it’s writing stand-up comedy, directing a play on campus, submitting original films in student film festivals, or even designing new courses. “There’s really nothing I can think of that’s pushing me, other than this inner impulse to do it — and that’s the most gratifying thing,” Harrabi said. A 2019 graduate who majored in film, television, and theatre, Harrabi is now headed to the University of Southern California School of Cinematic Arts, where he’ll pursue a graduate degree in film.
Hesburgh, a critically acclaimed documentary to be released nationwide on May 3, tells the story of Rev. Theodore M. Hesburgh, C.S.C. — reaching far beyond the borders of the Notre Dame campus to tell an epic American saga. But the making of Hesburgh is very much a Notre Dame story. Documentary filmmaker Patrick Creadon ’89 has a history of hiring Notre Dame students and alumni — and sought out no less than 19 of them to help create Hesburgh.
Donald Crafton — a Notre Dame film, television, and theatre professor widely considered the pre-eminent scholar on early animation — received the Distinguished Career Achievement Award from the Society for Cinema and Media Studies last month. “Don Crafton’s work has set a high standard for historical scholarship and also has contributed vitally to the study of animation within our field,” said Heather Hendershot, an MIT professor of film and media, in her introduction of Crafton at the awards ceremony.
Like the character he created, Jorge “Jay” Rivera-Herrans is exuberant and tenacious, but no one could mistake him for a cop out. A junior film, television, and theatre major, he has written the book, lyrics, and music for a new musical — Stupid Humans, in which he also plays the leading role. The show ran from Feb. 21 through March 3, sold out every one of its scheduled nine performances. An additional performance was added — and sold out online in less than two minutes.
From the U.S. House of Representatives in Washington, D.C., to FX Networks in Los Angeles, Notre Dame students gain valuable experience every year through summer internships. While internships are an important opportunity to discern career paths or gain insights into fields of study, costs can deter many students from accepting them. To eliminate this barrier, the Center for Career Development offers grants that enable students to afford living expenses when accepting unpaid or low-paying internships all over the world. Applications for 2019 summer internship funding are due April 2 or April 29.
Growing up in southern California, Jennifer Sharron Richardson ’01 knew she wanted to go into the entertainment industry. But she had no idea she would one day be co-executive producing an award-winning late night talk show like Jimmy Kimmel Live!. It took a Notre Dame liberal arts education, a passion for softball, and a little luck to get her there.
Notre Dame’s Department of Film, Television, and Theatre (FTT) announces F. Scott Fitzgerald’s fabled romance The Great Gatsby, adapted for the stage by Simon Levy, in the Patricia George Decio Theatre at the DeBartolo Performing Arts Center, April 10-14.
Levy’s fluid and impressionistic adaptation, steeped in the heady essence of the Jazz Age, relies on visual production elements to bring to life the characters and lyricism of Fitzgerald’s classic novel.…