When Kathleen Bracke got the call, she dropped the phone out of shock, then picked it up and asked the caller to repeat the news. On the other end was a representative of the Princess Grace Foundation-USA announcing that Bracke had won a 2012 Princess Grace Award. Bracke, a senior in the University of Notre Dame’s Department of Film, Television, and Theatre (FTT) is one of only two winners of this year’s Princess Grace Undergraduate Film Scholarship.
Anne García-Romero, an assistant professor at the University of Notre Dame, has been accepted to the prestigious Eugene O’Neill National Playwrights Conference this summer. One of just eight playwrights selected out of nearly 1,000 applicants, García-Romero will spend the month of July at the Eugene O’Neill Theatre Center in Connecticut, working with acclaimed theatre professionals to workshop her play Provenance. Also among the honorees is Notre Dame English alumna Theresa Rebeck ’80, an award-winning playwright and creator of the television show Smash.
Moneyball. True Grit. The Social Network. Black Swan. If you watched a trailer for any of these movies, then you’ve seen the work of Notre Dame alumnus Scott Mitsui ’92. A communications and theatre major, Mitsui has spent the past 12 years as producer and vice president of operations at Mark Woollen & Associates in Santa Monica, Calif., a company responsible for some of the most noteworthy and award-winning film trailers in Hollywood.
Collin Erker and Erin Moffitt, both juniors in the University of Notre Dame’s Department of Film, Television, and Theatre, spent four weeks wading through the Great Lakes’ coastal wetlands to create a documentary called Waterlogged.
Jack Blakey B.A. ’88 J.D. ’92 has worked as a prosecutor for the U.S. Attorney’s Office and is currently chief of the Special Prosecutions Bureau of the Cook County State’s Attorney’s Office in Chicago—the second largest prosecution office in the country. He says his theatre major at the University of Notre Dame was perfect preparation for his future legal career. “Some people think it’s such a difference, going from the theatre world to the legal world, but it really seems like a seamless transition,” Blakey says.
There is growing recognition in academia that “screen literacy” is a valuable asset for many scholars—especially those who teach language and literature. To help develop this skill set, the University of Notre Dame’s Department of Film, Television, and Theatre (FTT) has created a new graduate minor in screen cultures. It is open to students in any Notre Dame graduate program.
The new chair of Notre Dame’s Department of Film, Television, and Theatre spends part of each summer teaching his specialty to a different type of students—fellow faculty members from the College of Arts and Letters. Professor Jim Collins, who specializes in media theory, postmodern studies, and digital humanities, created a weeklong seminar five years ago to help faculty from other departments better incorporate film into the classroom.
Meet the Press. Steppenwolf Theatre Company. NBCUniversal. MTV. National Geographic. The Jimmy Kimmel Show. CNN. Entertainment One. NFL Films. Television stations from coast to coast. These are just some of the places where students in the Department of Film, Television, and Theatre (FTT) intern as undergraduates, developing industry experience, making invaluable contacts, and getting exposure to a wide variety of career opportunities.
To explore the interplay between one television director’s work and the fan culture it inspires, Notre Dame seniors Stephanie DePrez and Ellie Hall traveled to Southern California on Undergraduate Research Opportunity Program grants from the College of Arts and Letters’ Institute for Scholarship in the Liberal Arts.
Raise the curtain, cue the lights, and enter our scene: an actress who discovers a hidden passion for costume design, a dedicated designer who seizes a prime opportunity, and the department where it all happens. This is the true story of seniors Lucy Lavely and Robert Jenista, theatre students in the Department of Film, Television, and Theatre (FTT), who played major design roles in the spring 2011 production of Proof.
Filming in and around 8,000 sheep, directing first-time actors who also happen to be immediate family, and scrambling across badger-ravaged fields on dark December nights—it’s all part of the movie-making process for senior Film, Television, and Theatre student Javi Zubizarreta.
Director Peter D. Richardson, a 2002 alumnus of the Department of Film, Television, and Theatre, won the prestigious U.S. Documentary Competition Grand Jury Prize at the 2011 Sundance Film Festival.
Javi Zubizarreta, a rising senior studying in the Department of Film, Television, and Theatre (FTT), says his and his fellow film students’ production ideas have occasionally thrown their professors for a loop.
Lydia Antonini, a graduate of the class of 1997, took the basic film and television class to “check off” a fine arts requirement her first year at Notre Dame.
The Department of Film, Television, and Theatre has turned its cameras on its own students and faculty to capture what it means to major in film, television, or theatre at Notre Dame.
Film, Television, and Theatre (FTT) majors who concentrate in television get significant help with internships and other practical experience critical to professional advancement after graduation.
Long-standing connections that the faculty and the Notre Dame’s Career Center have cultivated in the local community and around the country open opportunities for students to find internships and networking with people working in the industry.
The idea “began with a cup of coffee and a vacant stare in a strip–mall store in Mishawaka, Indiana,” writes Jim Collins in the introduction to his new book Bring on the Books for Everybody: How Literary Culture Became Popular Culture.
Collins, a concurrent professor of English and film, television, and theatre—and winner of the College of Arts and Letters’ 2010 Sheedy Excellence in Teaching Award—remembers sitting in a suburban Barnes and Noble, drinking a Starbucks latte, and listening as his daughters argued about which Harry Potter movie was really the best. It occurred to him he was surrounded by incongruities in that cafe: a nearby couple talked about Oprah’s Book Club, while two teenagers complained about having to read A Separate Peace and wondered why their English teacher wouldn’t let them talk about something interesting like the movies Shakespeare in Love or William Shakespeare’s Romeo + Juliet.…
Theatre major Shay Thornton ’10 remembers well the genesis of the student-written play Scattered Voices. It was in early 2008. She and fellow students in Professor Anton Juan’s theatre and social concerns course started corresponding with juveniles at a local correctional facility.
Peter Holland, McMeel Family Professor in Shakespeare Studies at the University of Notre Dame, has been elected an honorary fellow at Trinity Hall, his alma mater and one of the 31 colleges that comprise the University of Cambridge.