Lida Zeitlin-Wu
Assistant Professor
2025 American Council of Learned Societies (ACLS) Fellow
DISCO Network Collaborator
Research interests
Media history and theory, color, sensory studies, digital media, science and technology, critiques of capitalism and consumer culture, race, visual and material culture
Biography
Lida Zeitlin-Wu is an interdisciplinary media theorist and historian. Her research explores the commodification and rationalization of sensory experience —particularly color and flavor—under technocapitalism. She is currently completing a book monograph titled How Color Became a Technology: The Making of Chromatic Capitalism (under contract with Duke University Press).
Before joining the faculty at Notre Dame, she was an Assistant Professor of Media Studies at Old Dominion University and a Postdoctoral Fellow at the University of Michigan’s Digital Studies Institute. She holds a PhD in Film & Media and an MA in Comparative Literature, both from UC Berkeley.
Research and Publications
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Fabricating Images at the Color Factory
Frames Cinema Journal, 2020
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Mama Don't Take My Chromophobia Away: Pantone's 2026 Color of the Year is Selling us a White Fantasy
Los Angeles Review of Books, 2026
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Meditation Apps and the Unbearable Whiteness of Wellness
Just Tech, 2023
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Nabokov’s Optical Paintbox: Color in The Real Life of Sebastian Knight
The Nabokov Online Journal, 2018
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On AI Colourisation: Algorithms, Ancestry, and Colour Beyond the Black Box
Visual Studies, 2025
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Technoskepticism: Between Possibility and Refusal (collaboratively authored with the DISCO Network).
Stanford University Press, 2025
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Transmedia Adaptation, or the Kinesthetics of Scott Pilgrim Vs. The World
The Journal of Literature on Screen Studies, 2016
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